Yes, this is actually a kickass sci-fi movie. And a father-daughter tearjerker too.
Okay, Christopher Nolan is back in my good graces. I’ve been seeing the trailer for Interstellar seemingly all year, and started to get worried that it might be overpromising a good time. Turns out I was worrying in vain, as this movie rocks its socks off. This is the science fiction/space exploration/save the world/time travel action/adventure everyone has been waiting for. Nolan delivers big time with this one.
Even though I’ve been a big fan since Memento, I was seriously ready to cast Nolan into the Closet of Hacks after the deep disappointment of that logical mess of a movie, The Dark Knight Whatever.
First the trailer (and believe me, this trailer barely scratches the surface of what the film actually shows) and then my 5 incredible things after the jump:
A king has his reign, and then he dies – it’s inevitable. ~ Prometheus
After months of teasing and taunting, Ridley Scott’s latest film, Prometheus, lands in theaters this week. The legendary filmmaker has been directing features for over 30 years, but his recent output has been less than stellar.
Is Prometheus a return to form for Sir Ridley?
Visionary: Jee-woon Kim
Wow. In keeping with my practice of late night movie viewing, I just enjoyed the 130 minute long epic, rock-n-roll, western-themed THE GOOD, THE BAD AND THE WEIRD by Korean director Jee-woon Kim. Great characters, unbelievable action, and epic (yes, I used that word again) cinematography. I’ll even go so far as to say it was a cinematic tour de force, a highly energized and stylized mishmash of the old with the new. Check out the kick ass trailer after the jump:
Director George Lucas is one of the most famous filmmakers in the world due to the enormous success of his Star Wars series of films. Starting with the original film, STAR WARS: A NEW HOPE, Lucas has done much to change the game, when it comes to blockbuster films and the selling of licensed merchandise. Even three decades after the original film, the marketplace for Star Wars collectibles should be considered an economy onto itself. George Lucas the marketer and business is obviously one of the titans of industry. However, what about George Lucas the film director? Should we consider him to be a visionary filmmaker or is crass hack, only interested in the bottom line? Read More
Tarantino - Visionary or Plagarist?
Previously, we explored what happens when a hack director pays homage to a scene from a superior film by clumsily directing a scene that plays like a pale facsimile of the original scene. However, when done correctly, an homage can breath new life into a cliched or inferior scene. The man who is obviously known as the master of this is Quentin Tarantino. Although his detractors label him a poseur without an original bone in his body, his films have exposed many film aficionados to older and forgotten films through his clever homages.
Examples include KILL BILL VOLUME 1 (2003), which introduced many to 70’s cult Asian films such as LADY SNOWBLOOD (1973) and MASTER OF THE FLYING GUILLOTINE (1977), PULP FICTION (1994), which introduced younger viewers to films by French New Wave directors such as Truffaut and Godard and of course, Tarantino’s JACKIE BROWN (1997), which started a revival of interest in Blaxpoitation films such as FOXY BROWN and SUPERFLY. However, it is the homage that Tarantino’s first feature film, RESERVOIR DOGS (1992), pays to Ringo Lam’s 1987 Hong Kong gangster film CITY ON FIRE that his critics point to as evidence of his originality. Read More
Director Neill Blomkamp made a huge impact on the world of cinema in 2009 with his Oscar-nominated feature debut, DISTRICT 9. How did Blomkamp go from being a virtual unknown to directing a science fiction blockbuster produced by Peter Jackon? Well, it was a series of short films, including ALIVE IN JOBURG, the short mockumentary that ‘District 9’ is based upon and TETRA VAAL, a mock commercial for a real-life “Robocop”, that got him noticed. Read More
Visionary: Sidney Lumet
Prolific director Sidney Lumet is dead, may he rest in peace.
Despite his success in film making, Lumet never won an Oscar. From the SF Gate article:
His actors, with whom he always rehearsed for at least two weeks before starting production, were nominated for 17 Oscars for their performances in his films; several, including Faye Dunaway and Ingrid Bergman, won. The director was, in four nominations, always shut out until he was given a lifetime achievement award in 2005.
“I guess I’d like to thank the movies,” the director said in accepting the award.